![]() This is often due to their having polished up the highs with an EQ while mixing and resultantly making the sibilance too hot. One of the biggest mistakes indie producers make is getting too much sibilance in their mix. It effectively sets your dynamic limit, which is important for getting the loudness correct. Hard LimiterĪ hard limiter is a compressor with a ratio of around 10:1 (meaning that every one decibel over the thresh hold is reduced by ten decibels). The trick, however, is to not use too much compression, or your song will sound flat. The result is a richer and more full-sounding mix. It essentially reduces the dynamic range of your track, making the quieter parts louder and the louder parts quieter. CompressorĪ compressor might be the most popular type of plugin for mastering. Generally you’ll want to start with these five plugins when mastering a track. We thought it’d be helpful to give a brief overview of those tools. ![]() You’ll find them in every mastering studio in the world. While there are virtually endless tools out there for mastering–tape emulators, stereo expanders, aural exciters, etc–there are some tools that are just basic necessities. Thanks to digital recording, much of the right tools can be had as plugins for a fraction of the cost of their analog counterparts. Mastering requires both experience, training and the right tools.
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